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Three Produced All Things

日期:
2012年4月20日 - 2012年5月10日以往展览
开幕:
2012年4月20日
空间:
Connoisseur Contemporary

展览简介

艺术家: CHAN Yu

Connoisseur Contemporary will be presenting a solo exhibition of contemporary Chinese artist CHAN Yu from April 20 to May 10, 2012.

Chan Yu’s work commands a standing in the contemporary art world because of both their meaning and presentation. Chan Yu’s previous series was heavily centered on his own concept of identity. His 2008 solo in Connoisseur Contemporary titled “The Absence of Self; The Presence of Images”, required him to see himself from a third-person perspective and subsequently look at another person as himself; in order to establish his identity. In the end he believes that our identity is affirmed by the presence of others and that often, we are just trying on alter egos to see which fits best. His work is now recognizable by his style of repetitive, overlapping layering of images that have become a symbol of his evolution as a person and as an artist with a complex personality.

His new solo is an extension of this concept, and an even bigger step from the individual to the social sphere and featuring only on well-known cultural icons. Some of them, 20th century personalities such as James Dean, Audrey Hepburn, Bruce Lee, Jim Morrison, are being portrayed as a representation of not only of their diversity but also a phenomenon that these people, who pass on at a very young age, became unbounded and easily recognizable and iconic symbols in our society. Despite their “absence”, their “presence” continues throughout generations, influencing us in different ways and dimensions. The series hints at the fact that we all have different personalities in each of us. By multiplying and applying numerous layers of paint the artist tries to draw our attention towards a complexity of different aspects of our own identity; while at the same time, celebrating the legacy of these cultural icons whom we adore and idolize.

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关于Hi艺术

《Hi艺术》创刊于2006年9月,集结全球前沿的艺术信息、拥有专业的市场分析和深入的人物采访内容,日常以十多个专业的栏目为架构,内容丰富而富有层次,全面而条理清晰,是非常具有可读性的当代艺术媒体平台。

《Hi艺术》的内容在坚持可读性基础之上强调原创性,每次都力求为读者提供权威性的实用数据信息,并在年末总结当代艺术的年度发展概况,产生 “指标艺术家”、“指标拍卖行”和 “指标画廊”。该系列历经锤炼与市场检验,正逐渐成为当代艺术投资的首选参考媒体。

今天的《Hi艺术》在时间的累积、新老客户的实用建议以及自身经验的不断增长下,无论是内容还是版式都在不断完善中,追求进步的脚步也从未停止,我们仍在努力做到尽善尽美。

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关于Hi艺术

《Hi艺术》创刊于2006年9月,集结全球前沿的艺术信息、拥有专业的市场分析和深入的人物采访内容,日常以十多个专业的栏目为架构,内容丰富而富有层次,全面而条理清晰,是非常具有可读性的当代艺术媒体平台。

《Hi艺术》的内容在坚持可读性基础之上强调原创性,每次都力求为读者提供权威性的实用数据信息,并在年末总结当代艺术的年度发展概况,产生 “指标艺术家”、“指标拍卖行”和 “指标画廊”。该系列历经锤炼与市场检验,正逐渐成为当代艺术投资的首选参考媒体。

今天的《Hi艺术》在时间的累积、新老客户的实用建议以及自身经验的不断增长下,无论是内容还是版式都在不断完善中,追求进步的脚步也从未停止,我们仍在努力做到尽善尽美。

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