现实中的裸体一目了然,其视觉效果取决于所处的周边环境。绘画中...
2012.07.24
周 洁 | 恋物者的葬礼
Zhou Jie | The Burial of the Factish
Opening:6.10 / 周六 Sat. 16:30
◑
死于一百年前的说,现代人患历史主义的病。大街楼群中,人的属性变得极少,discontinuity. 一块屏幕挽救了你,让你以为克服了空间。游无穷。历史的储蓄银行里,巨大的漩涡中,符号与图像扑面而来,擦除覆盖解构建构,恋物者发现古老的问题悬而未决,齐彭殇为妄作。不可修复的断裂,to be... Not! 我们存有什么,什么存有?
As the one who died one hundred years ago observed, the moderns suffer from the illness of historicism. Among the buildings and towers, individuals reduce to very few properties. Discontinuity. A screen saves you, which makes you believe that you have rise above the space. There is no boundary for travelling. In the bank of history and massive vortex, you are overwhelmed by images and icons. To erase, to envelop, to destruct, to construct. The fetishists find that the old question remains unsolved, and knows that it is deceiving to regard longevity and short life as the same. The rupture is not recoverable. To be... Not! What do we have, and what to have?
刘钢
现实中的裸体一目了然,其视觉效果取决于所处的周边环境。绘画中...
2012.07.24
周婉京
疫情时期的写作就像是站在自己的历史之外,回看自己的过往。
2020.05.10
朱 伟
郭德纲每次演出最后总要唱一段《大实话》,其中一句:没有君子不...
2014.08.19
刘钢
每次去广州住店,我必选白天鹅宾馆。我对这家酒店的偏爱,源于它...
2013.11.04
王晓松
从纽约回来的朱先生常对朋友说的一句话是:“人真多啊”。
2023.07.10
酒仙桥一姐
没有线下,线上就是个寂寞。
2021.04.06
刘钢
我有时跟我老伴说,我真正的恋爱对象是绘画,而不是你。
2020.06.04
李苏桥
其实昨天我没有能够回到北京、来到嘉德拍卖“现当代艺术夜场”的...
2016.11.16