Hi艺术

展览简介

艺术家：路路、业晓凯

Artist：Lu-lu、Ye –xiaokai

学术主持：顾丞峰

Academic Chair：Gu-Chengfeng

开幕：2017年5月6日下午3点30

Opening：2017.5.6 3:30PM

展览地点：南京艺术学院美术馆零展厅

Venue：Zero Space AUMUA

“修复”是艺术家路路、业晓凯两年前开始的、长期处于潜流状态的艺术计划，工作的庞杂，思维的幽灵时而藏匿在思想的墓穴、掩体和地下通道中等待精确追寻，致使该计划注定长期处于讨论、商榷、未确定的阶段。此次展览是修复计划部分确定的“成相”，观众也可以此窥见修复计划的全貌。

"restoration", started two years ago by artist, Lulu and Xiaokai,is the artistic  work plan in the state of underflow underflow for along-term. Complex thinking and the the ghost of thinking sometimes is hiding in the tomb, bunkers and underground channel waiting for precise search and making the plan be destined in discussion and uncertainty for a long time. Thisexhibition is part of the restoration plan and the audience can also see the full picture of therestoration plan.

一年前，路路开始考古学家一般精心采集被弃置荒野、受到严重腐蚀的木板，处理之后开始精心勾线、填色、造型于其上，他每天早晨九时开始工作，上午十一时结束，从不间断。不知经过多少个全神贯注的两小时，一件弃物变成了美学之物，而这种“修复”也被人们赋予了广泛的社会学意义。业晓凯的创作大多在写生中完成，也是一年前，他带着“理想主义的眼睛”观看并落实于笔端。不同于路路在物上的直接创作，他试图通过间接手段赋于形象一个第二形象或提供解决方案。

"One year ago, Lulu began to collect abandoned wilderness and corrosive wood  carefully like archaeologists. Then after processing, hecarefully hooked line, coloring and makingshape on them. He begins to work every day at nine in themorningtill eleven uninterruptedly. I do notknow he spent how manyhours after the concentration of two hours when a discarded objects became theaesthetic objects and this "restoration" has been given a wide range ofsociological significance. Ye Xiaokai's creation is mostly done in the painting. Also ayear ago, he watched with the eyes of idealismand put it into his paintings. Different from Lulu who create directly on the object, On theroad in the creation of different things, he tried to give the image a second image or provide solutions.

在迪亚曼特对卡夫卡的评论中我们看到过这样一句话：他把文学当成修复世界的手段和艺术形式。而作为形象化的文学和哲学，艺术也具有这样的意味，对于路路和业晓凯而言，“修复”既不会飞速前行，也不会停滞不前，更不会无疾而终，直到静悄悄地穿过社会和历史的迷雾。